Neumann TLM 49 Cardioid Condenser Microphone. Next, I tried it on kick drum. As a reminder, PSE 825 grams, 80 grams against the 184 of one kilometer! There’s a peak at 5 kHz, a dip in the 7–8 kHz range, and then another peak at 10–11 kHz. Condenser microphone with cardioid capsule with large output circuit transistor designed primarily for vocals. The RCA 44-A, is one of these. It is designed primarily as a vocal mic, with a sound inherited from the U47 and M49 microphones (both of which also used the K47 capsule). The TLM 49 is a large-diaphragm FET condenser microphone with Neumann’s K47 capsule. Close mics on toms and snare? (I’ve used … It sounds really, really good. It is a large diaphragm true capacitor... Sony, widely known for their consumer entertainment products, takes pro audio very seriously. And sometimes hype is what you want. Although in general, my M7 and M9-capsuled Gefell mics (UM92.1S, UMT70S, M930, and M990) were creamier in the lower mids, TLM 49 vocals cut through dense mixes better. Burl Audio, under the direction of owner/designer Rich Williams, has developed some of the best new recording equipment over the last eight years. Since drummers are always destroying tom mics, it's not uncommon that the necessity to try something new on the toms arises. There's a peak at 5 kHz, a dip in the 7-8 kHz range, and then another peak at 10-11 kHz. First up, electric guitar. And then finally, I tried the mic on vocals, and I immediately understood why the Neumann rep called this a killer vocal mic. He's the owner of Audio Upgrades,... Vintage King co-founder Michael Nehra shares some of his love, knowledge, and practical advice for diving into the world of vintage audio gear, and then takes us behind the scenes for a walk through... Bill Cheney and Jim Romney are the men responsible for keeping the amazing legacy of Spectra Sonics, a legendary, if criminally unheralded, pro-audio company alive. Supplied with suspension. Not enough lower-mid punch for my taste, although what it Physically, the TLM 49 looks more like Neumann’s classic M 49 (and its cardioid-only sibling M 50) than the U 47, but all these mics share the same kind of peaks and dips in frequency response. The TLM 49 is a cardioid (good) Designed for making voice and although I have been able to try it on other source, it should work well on instruments that do not s'inquitent its size! I've used this mic on a bunch of sessions lately, and y'know, it's one of those mics that seems to sound good on anything. Cardioid pattern 3. I preferred a pair of AKG C 460Bs or a Royer SF-12. But proximity effect ramps up quickly on the KSM32, so you need to keep at least 4" distance on vocals. REVIEW The ‘retro’ design of the new Neumann TLM 49 is unmistakably reminiscent of the legendary Neumann M49, with its bulky girth, its chunky ‘open’ grille and its substantial weight and size. Electrostatic transformerless cardioid (tlm). Here, I was pleasantly surprised again. Even close-mic'ed, the guitar wasn't too boomy, and although the highs were pronounced, they didn't cut my head off. ($1499 street; www.neumann.com), AT8470 Quiet-Flex Mic Clips, AT8456a Quiet-Flex Mic Clips, AT8471 Isolation Mic Clip, Jim Williams: Behind the Gear with Audio Upgrades, Restoring the "Holy Grail of Compressors": Behind the Scenes at the Vintage King Tech Shop, From WWII Planes to Stax Consoles: Behind the Gear with Bill Cheney & the History of Spectra Sonics, Rich Williams: Behind the Gear with Burl Audio. For singing, you'll either love it or hate it-in an obvious enough way that you'll be able to move on to another mic if it ain't working for that particular situation. Too bright, but not as screechy as other modern LDCs.