Trianon was built with getting this angle in mind. I call it “The Francis Ford Coppola” because if you’ve ever seen any of his movies, you’ll know that he likes to shoot through chandeliers (think “The Godfather” or “Apocalypse Now.”
This is an example of how applying cinematography principles to boudoir photography really makes it more magnificent. This particular shot is a personal favorite of what I’ve done in the studio so far. When you come for your consultation, you’ll see it on the wall.